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Rohmer, Sax, 1883-1959

"Bat Wing"


That she was not purely Spanish I learned later.
She was small, and girlishly slight, with slender ankles and exquisite
little feet; indeed I think she had the tiniest feet of any woman I had
ever met. She wore a sort of white pinafore over her dress, and her
arms, which were bare because of the short sleeves of her frock, were
of a child-like roundness, whilst her creamy skin was touched with a
faint tinge of bronze, as though, I remember thinking, it had absorbed
and retained something of the Southern sunshine. She had the swaying
carriage which usually belongs to a tall woman, and her head and neck
were Grecian in poise.
Her hair, which was of a curious dull gold colour, presented a mass of
thick, tight curls, and her beauty was of that unusual character which
makes a Cleopatra a subject of deathless debate. What I mean to say is
this: whilst no man could have denied, for instance, that Val Beverley
was a charmingly pretty woman, nine critics out of ten must have failed
to classify this golden Spaniard correctly or justly. Her complexion
was peach-like in the Oriental sense, that strange hint of gold
underlying the delicate skin, and her dark blue eyes were shaded by
really wonderful silken lashes.


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