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Ossoli, Margaret Fuller, 1810-1850

"Memoirs of Margaret Fuller Ossoli, Volume I"

The hour was not propitious. I was in a mood the
very reverse of Roger Bontemps, and beset with circumstances
the most unsuited to make me sympathize with the prayer--
'"Pardonnez la gaiete
De ma philosophie;"
yet I am not quite insensible to their wit, high sentiment,
and spontaneous grace. A wit that sparkles all over the ocean
of life, a sentiment that never puts the best foot forward,
but prefers the tone of delicate humor, to the mouthings of
tragedy; a grace so aerial, that it nowhere requires the aid
of a thought, for in the light refrains of these productions,
the meaning is felt as much as in the most pointed lines.
Thus, in "Les Mirmidons," the refrain--
'"Mirmidons, race feconde,
Mirmidons
Enfin nous commandons,
Jupiter livre le monde,
Aux mirmidons, aux mirmidons, (bis.)"
'The swarming of the insects about the dead lion is expressed
as forcibly as in the most sarcastic passage of the chanson.
In "La Faridondaine" every sound is a witticism, and levels
to the ground a bevy of what Byron calls "garrison people."
"Halte la! ou la systeme des interpretations" is equally
witty, though there the form seems to be as much in the
saying, as in the comic melody of sound.


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