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Ossoli, Margaret Fuller, 1810-1850

"Memoirs of Margaret Fuller Ossoli, Volume I"


The ninth conversation turned on the distinctive qualities of poetry,
discriminating it from the other fine arts. Rhythm and Imagery, it
was agreed, were distinctive. An episode to dancing, which the
conversation took, led Miss Fuller to give the thought that lies
at the bottom of different dances. Of her lively description the
following record is preserved:--
'Gavottes, shawl dances, and all of that kind, are intended
merely to exhibit the figure in as many attitudes as possible.
They have no character, and say nothing, except, Look! how
graceful I am!
'The minuet is conjugal; but the wedlock is chivalric. Even
so would Amadis wind slow, stately, calm, through the mazes of
life, with Oriana, when he had made obeisances enough to win
her for a partner.
'English, German, Swiss, French, and Spanish dances all
express the same things, though in very different ways. Love
and its life are still the theme.
'In the English country dance, the pair who have chosen one
another, submit decorously to the restraints of courtship
and frequent separations, cross hands, four go round, down
outside, in the most earnest, lively, complacent fashion.


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