The
interior was so unevenly graded that it caused people to stumble. A
narrow hall separated the kitchen from the parlour, where Madame Aubain
sat all day in a straw armchair near the window. Eight mahogany chairs
stood in a row against the white wainscoting. An old piano, standing
beneath a barometer, was covered with a pyramid of old books and boxes.
On either side of the yellow marble mantelpiece, in Louis XV. style,
stood a tapestry armchair. The clock represented a temple of Vesta;
and the whole room smelled musty, as it was on a lower level than the
garden.
On the first floor was Madame's bed-chamber, a large room papered in a
flowered design and containing the portrait of Monsieur dressed in the
costume of a dandy. It communicated with a smaller room, in which there
were two little cribs, without any mattresses. Next, came the parlour
(always closed), filled with furniture covered with sheets. Then a hall,
which led to the study, where books and papers were piled on the shelves
of a book-case that enclosed three quarters of the big black desk.
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