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Scott, John Reed, 1869-

"The Cab of the Sleeping Horse"

Yet was it guilelessness?
He had never met guilelessness in the diplomatic game, save as a mask
for treachery and deceit. And yet this seemed the real thing. He wanted
to believe it. In fact, he did believe it; it was simply the habit of
his experience warning him to beware--and because it was a woman it
warned him all the more.... Yet he cast experience aside--and also the
fact that she was a woman--and accepted her story as truth. Maybe he
would regret it; maybe she was playing him; maybe she was laughing
behind her mask; maybe he was all kinds of a fool--nevertheless, he
would trust her. It was--
"I'm glad you have decided that I'm not a diplomat--and that you will
trust me," she broke in. "I'm just an ordinary woman, Mr. Harleston, just
a very ordinary woman."
He held out his hand. She took it instantly.
"A very extraordinary woman, you mean, dear lady," he said gravely. "In
some ways the most extraordinary that I have ever known."
"It's not in the line of diplomacy, I hope," she shrugged.
"Not the feminine line, I assure you; Madeline Spencer is typical of it,
and the top of her class--which means she is wonderfully clever,
inscrutable as fate, and without scruple or conscience. No, thank God,
you do not belong in the class of feminine diplomats!"
"Thank you, Mr.


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