About the platform of the Odeon are the marble busts of
the great composers; and while the orchestra is giving some of
Beethoven's masterpieces, I like to fix my eyes on his serious and
genius-full face, which seems cognizant of all that is passing, and
believe that he has a posthumous satisfaction in the interpretation
of his great thoughts.
The managers of the conservatoire also give vocal concerts, and there
are, besides, quartette soiries; so that there are few evenings
without some attraction. The opera alternates with the theater two
or three times a week. The singers are, perhaps, not known in Paris
and London, but some of them are not unworthy to be. There is the
baritone, Herr Kindermann, who now, at the age of sixty-five, has a
superb voice and manner, and has had few superiors in his time on the
German stage. There is Frau Dietz, at forty-five, the best of
actresses, and with a still fresh and lovely voice. There is Herr
Nachbar, a tenor, who has a future; Fraulein Stehle, a soprano, young
and with an uncommon voice, who enjoys a large salary, and was the
favorite until another soprano, the Malinger, came and turned the
heads of king and opera habitues. The resources of the Academy are,
however, tolerably large; and the practice of pensioning for life the
singers enables them to keep always a tolerable company.
Pages:
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196