The mosaic on the
left side--which is, perhaps, the finest one of the period in
existence--is interesting on another account. It represents the city
of Classis, with sea and ships, and a long procession of twenty-two
virgins presenting offerings to the Virgin and Child, seated on a
throne. The Virgin is surrounded by angels, and has a glory round
her head, which shows that homage is being paid to her. It has been
supposed, from the early monuments of Christian art, that the worship
of the Virgin is of comparatively recent origin; but this mosaic
would go to show that Mariolatry was established before the end of
the sixth century. Near this church is part of the front of the
palace of Theodoric, in which the Exarchs and Lombard kings
subsequently resided. Its treasures and marbles Charlemagne carried
off to Germany.
DOWN TO THE PINETA
We drove three miles beyond the city, to the Church of St. Apollinare
in Classe, a lonely edifice in a waste of marsh, a grand old
basilica, a purer specimen of Christian art than Rome or any other
Italian town can boast. Just outside the city gate stands a Greek
cross on a small fluted column, which marks the site of the once
magnificent Basilica of St. Laurentius, which was demolished in the
sixteenth century, its stone built into a new church in town, and its
rich marbles carried to all-absorbing Rome.
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