But what I
cared most to see were the mosaics in the choir, executed in the time
of Justinian, and as fresh and beautiful as on the day they were
made. The mosaics and the exquisite arabesques on the roof of the
choir, taken together, are certainly unequaled by any other early
church decoration I have seen; and they are as interesting as they
are beautiful. Any description of them is impossible; but mention
may be made of two characteristic groups, remarkable for execution,
and having yet a deeper interest.
In one compartment of the tribune is the figure of the Emperor
Justinian, holding a vase with consecrated offerings, and surrounded
by courtiers and soldiers. Opposite is the figure of the Empress
Theodora, holding a similar vase, and attended by ladies of her
court. There is a refinement and an elegance about the empress, a
grace and sweet dignity, that is fascinating. This is royalty,
--stately and cold perhaps: even the mouth may be a little cruel, I
begin to perceive, as I think of her; but she wears the purple by
divine right. I have not seen on any walls any figure walking out of
history so captivating as this lady, who would seem to have been
worthy of apotheosis in a Christian edifice. Can there be any doubt
that this lovely woman was orthodox? She, also, has a story, which
you doubtless have been recalling as you read.
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