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Warner, Charles Dudley, 1829-1900

"Saunterings"

It is a fine study of color
and effect, and the groupings are admirable; but the whole affair is
nearly lost to the mass of spectators. It must be a sublime feeling
to one in the procession to walk about in such monstrous fine
clothes; but what would his emotions be if more people could see him!
The grand altar stuck up under the dome not only breaks the effect of
what would be the fine sweep of the nave back to the apse, but it
cuts off all view of the celebration of the mass behind it, and, in
effect, reduces what should be the great point of display in the
church to a mere chapel. And when you add to that the temporary
tribunes erected under the dome for seating the ladies, the entire
nave is shut off from a view of the gorgeous ceremony of high mass.
The effect would be incomparable if one could stand in the door, or
anywhere in the nave, and, as in other churches, look down to the end
upon a great platform, with the high altar and all the sublime
spectacle in full view, with the blaze of candles and the clouds of
incense rising in the distance.
At half-past nine the great doors opened, and the procession began,
in slow and stately moving fashion, to enter. One saw a throng of
ecclesiastics in robes and ermine; the white plumes of the Guard
Noble; the pages and chamberlains in scarlet; other pages, or what
not, in black short-clothes, short swords, gold chains, cloak hanging
from the shoulder, and stiff white ruffs; thirty-six cardinals in
violet robes, with high miter-shaped white silk hats, that looked not
unlike the pasteboard "trainer-caps" that boys wear when they play
soldier; crucifixes, and a blazoned banner here and there; and, at
last, the pope, in his red chair, borne on the shoulders of red
lackeys, heaving along in a sea-sicky motion, clad in scarlet and
gold, with a silver miter on his head, feebly making the papal
benediction with two upraised fingers, and moving his lips in
blessing.


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