On one side of the garden is a suppressed monastery. The narrow
front towards the sea has a secluded little balcony, where I like to
fancy the poor orphaned souls used to steal out at night for a breath
of fresh air, and perhaps to see, as I did one dark evening, Naples
with its lights like a conflagration on the horizon. Upon the tiles
of the parapet are cheerful devices, the crossbones tied with a cord,
and the like. How many heavy-hearted recluses have stood in that
secluded nook, and been tempted by the sweet, lulling sound of the
waves below; how many have paced along this narrow terrace, and felt
like prisoners who wore paths in the stone floor where they trod; and
how many stupid louts have walked there, insensible to all the charm
of it!
If I pass into the Tramontano garden, it is not to escape the
presence of history, or to get into the modern world, where travelers
are arriving, and where there is the bustle and proverbial discontent
of those who travel to enjoy themselves. In the pretty garden, which
is a constant surprise of odd nooks and sunny hiding-places, with
ruins, and most luxuriant ivy, is a little cottage where, I am told
in confidence, the young king of Bavaria slept three nights not very
long ago. I hope he slept well. But more important than the sleep,
or even death, of a king, is the birth of a poet, I take it; and
within this inclosure, on the eleventh day of March, 1541, Torquato
Tasso, most melancholy of men, first saw the light; and here was born
his noble sister Cornelia, the descendants of whose union with the
cavalier Spasiano still live here, and in a manner keep the memory of
the poet green with the present generation.
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