These are followed by nobles, among whom I
recognize, with a certain satisfaction, two descendants of Tasso,
whose glowing and bigoted soul may rejoice in the devotion of his
posterity, who help to bear today the gilded platform upon which is
the solid silver image of the saint. The good old bishop walks
humbly in the rear, in full canonical rig, with crosier and miter,
his rich robes upborne by priestly attendants, his splendid footman
at a respectful distance, and his roomy carriage not far behind.
The procession is well spread out and long; all its members carry
lighted tapers, a good many of which are not lighted, having gone out
in the wind. As I squeeze into a shallow doorway to let the cortege
pass, I am sorry to say that several of the young fellows in white
gowns tip me the wink, and even smile in a knowing fashion, as if it
were a mere lark, after all, and that the saint must know it. But
not so thinks the paternal bishop, who waves a blessing, which I
catch in the flash of the enormous emerald on his right hand. The
procession ends, where it started, in the patron's church; and there
his image is set up under a gorgeous canopy of crimson and gold, to
hear high mass, and some of the choicest solos, choruses, and
bravuras from the operas.
In the public square I find a gaping and wondering crowd of rustics
collected about one of the mountebanks whose trade is not peculiar to
any country.
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