Sometimes he kept a stanza or two; sometimes only a line or
chorus; sometimes merely the name of the air; the rest was his own. His
method, as he has told us himself, was to become familiar with the
traditional melody, to catch a suggestion from some fragment of the old
song, to fix upon an idea or situation for the new poem; then, humming
or whistling the tune as he went about his work, he wrought out the new
verses, going into the house to write them down when the inspiration
began to flag. In this process is to be found the explanation of much of
the peculiar quality of the songs of Burns. Scarcely any known author
has succeeded so brilliantly in combining his work with folk material,
or in carrying on with such continuity of spirit the tradition of
popular song. For George Thomson's collection of Scottish airs he
performed a function similar to that which he had had in the "Museum";
and his poetical activity during the last eight or nine years of his
life was chiefly devoted to these two publications. In spite of the fact
that he was constantly in severe financial straits, he refused to accept
any recompense for this work, preferring to regard it as a patriotic
service.
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