I do not propose to criticise it; it is our
misfortune, perhaps our fault, that we do not understand it; and I only
refer to it to say that we should not be too hard on the Saturday Review
critic when he is complaining of the American dialect in the English that
Mr. Howells writes. How can the Englishman be expected to come into
sympathy with the fiction that has New England for its subject--from
Hawthorne's down to that of our present novelists--when he is ignorant of
the whole background on which it is cast; when all the social conditions
are an enigma to him; when, if he has, historically, some conception of
Puritan society, he cannot have a glimmer of comprehension of the subtle
modifications and changes it has undergone in a century? When he visits
America and sees it, it is a puzzle to him. How, then, can he be expected
to comprehend it when it is depicted to the life in books?
No, we must expect a continual divergence in our literatures. And it is
best that there should be. There can be no development of a nation's
literature worth anything that is not on its own lines, out of its own
native materials. We must not expect that the English will understand
that literature that expresses our national life, character, conditions,
any better than they understand that of the French or of the Germans.
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